Some Questions Don't Have Answers

The mirror

It speaks now.

 

Always talking, 

exclaiming, a

constant reminder of the things

that were.

 

Its image, changing,

sends me back.

 

                    birds are singing...

                    pulling the breeze...

                    into boundless bringing...

                    my endless futures...

                    they begin to sing too...

                    you once, hummed this tune...

                    do you remember?

 

It was oh so

long ago.

When it was all oh so 

simple.

 

My toes then were dipped in

the waters of life,

not yet to

my knees.

 

My eyes then opened with

curiosity and wonder,

not yet bound by 

aging wisdom.

 

My heart then coursed

excitement through

my veins,

that very blood

not yet laced with

fear.

 

The world then tasted of

probabilities,

not yet strung with 

expectation.

 

How beautiful it all was. 

 

The mirror leans closer,

lowering to a whisper,

merely audible, only but a 

single decibel.

 

                    your heart still carries this

                    chorus...

                    the very carol that made you

                    joyous...

                    how have you forgotten?

                    how is your love for the world

                    no longer begotten?

 

And to that,

I haven't an idea.

Comments

On the Improbability of Wisdom

This is inspired by and dedicated to Ilia Malinin, who found the possible in impossible, carrying himself with his dreams

 

True wisdom comes from knowing we

know

nothing.

True wisdom comes from having fear

of 

God.

True wisdom is what we get when we

accept the things we will not-

can not-

understand and

keep trying to understand;

when we find that the only probability is

improbability, and

when we know something is impossible and

try find the possible in it;

When we pick ourselves up with

scars the pattern of our veins, scars

we'll never have fade because certainty

is found in uncertainty, what

we find when we reach our calloused hands up

to the sky and

pull ourselves up with our dreams;

when we know we are a nothing

with a name and a certain something

within us, and

let that something overcome that

nothing:

when we take the can not and

make it will not and

wrap our nothing around it until 

can is

all that's left.

Comments

There Wasn't One Moment

It wasn't one moment

That made me fall in love

With snowboarding

I didn't stand at the top of the mountain

As the wind whipped my hair

And decided I loved to snowboard

It wasn't the moment when

I clipped into my bindings

Or when I finally took off

I didn't fall in love with snowboarding

As I sat on the chairlift

And looked down at the people below

Or when I reached the bottom

And snow sprayed everyone

There wasn't one moment

That made me fall in love

With snowboarding

It was all of them

It was the anticipation

As I stood at the top

And the thrill of going down

It was sitting on the chairlift

And then going up again

It was feeling free

Feeling in control

Feeling like I was the only person

No one else to worry about

No one else watching me

Just me and my snowboard

There was never one grand moment

That made me fall in love

With snowboarding

I just did

Comments

Whispers Of The White Peak

Comments

Whispers Of The White Peak evokes a peaceful and calming sensation. Whispers of the White Peak shows where I have grown up; I have always been around mountains, and they will always hold a special place in my heart. When you look at the painting, you should just see mountains. Once you take a second look, you can see more depth. It appears that the mountains are drawing closer. I chose to use oil pastels and paint for this piece. I started with an oil pastel base, then layered paint on top. To give the paint a thick, snowy texture, I mixed in baking soda before applying it. As the mountains appear to get closer, I added more paint to enhance that effect. For highlights and shading, I used grey and yellow tones. This painting draws from a recent moment when I observed a snowy landscape and was captivated by the delicate colors emerging through the textured snow. The quiet interplay of hues beneath the surface inspired me to capture this scene.

 

 

  • A textured abstract landscape in soft whites and grays radiates from a central point, with jagged edges and layered surfaces that evoke a weathered, natural landscape.

Where The Light Leads You

Comments

wph

I absolutely love this... so alien, yet so familiar.

“Where The Light Leads You” brings a sort of calmness and comfort seeing that light will lead your way, while the snow is falling softly. For “Where The Light Leads You”, I used a 11x14 canvas, acrylic paint, many types and sizes of paint brushes, black and white paint pens, and a palette knife to mix paint, and create texture on the snow on the ground. I used darker grey around the corners of the painting, and a lighter grey or white where I wanted the light to show the most. For the shadows, I used a darker grey to show that there is also moon light coming from behind the light posts. I decided to use “Where The Light Leads You” because I like how the artwork turned out, and would like to present it online.

  • The Bittersweet Feeling of Quiet Loneliness

Community Presentation: Tomorrow Project Featured

Printing press

Poetry from YWP's Tomorrow Project will be featured in a Vermont Humanities' presentation, "A Revolution Will Not Be Tweeted," on Thursday, Feb. 19 in Shelburne, VT.

Printmaker John Vincent, director of A Revolutionary Press of New Haven, VT, will lead the discussion and hands-on printmaking at the Shelburne Town Hall, 6:30-8 p.m.

Tomorrow Project poems selected for the presentation include:

Find out more about the event

Find out more about The Tomorrow Project

[Photo credit: John Vincent, A Revolutionary Press]

Poems from YWP's Tomorrow Project are featured this week in a Vermont Humanities' presentation, "A Revolution Will Not Be Tweeted." 

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