There is a man on the corner of 87th and Amsterdam. I do not know him, and he does not know me. He wears a red T-shirt with red sweatpants. He wears a red coat with red shoes. He wears a red ski mask on his face. Though he does not know it, in my mind, his name is Mr. Red.
He has seen many people. He talks and smokes with some of them. Some of them he just stares at, and when the night gets too cold, he throws his joint in a puddle and walks into his apartment. He has a worn and peeling leather recliner and a side table with a lamp over it and a journal where he writes about all the people he has seen.
Mr. Red writes about the man who cuts flowers in front of the bodega and the man’s journeys through the mountains that he goes on every morning to get the plastic-colored flowers he sells.
He writes about the man across the street from him, who sleeps in his golden Cadillac and the man's dream of being more than some guy with a shiny car.
He writes about me, the child with the fast scooter, and how I use it to fly far away, but only at night, when no one is looking.
When his eyes get heavy, he closes the journal. He kisses a framed photo of a young woman he had cut out of the newspaper. He decided long ago that she was his mother. He turns off the light and falls asleep in the chair.
Mr. Red is an old man, and, like many old things, he will die. His rotting body will be found by his landlord three weeks later when they come to collect the rent. He will be buried on Hart Island, still wearing his red shirt, red pants, red coat, red shoes, and red ski mask. He will not be given a capstone, just a white plank hammered into the ground. His apartment will be cleaned out, and his journal will be tawsed in a black garbage which will be on the side of the street later that day. His home will be up for sale in a week.
That same day, the man who sells rainbow roses will just be a man who sells dyed flowers.
The man with the gold Cadillac will just be a pimp.
And I will just be a child with a fast scooter.
Comments
This is really lovely. It quite reminds me of the Alfred Hitchcock film Rear Window. Interesting concept, and well written. :)
thanks
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